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So I guess this will be one of those articles:
I DID plan to review «It Chapter Two» but since it has become so cumbersome to catch a not dubbed movie in all its original glory in Lucerne, this will be – once again, after «Planet Terror» – one of those not-really-a-review-but-just-reminding-everybody-there-was-this-great-picture-apology-for-a-review.
This time around Taylor Hackford’s 1997 «The Devil’s Advocate» will be the proof that the nineties where anything but bland, mediocre or unqualified to make an impact in movie history whatsoever.
I will not be able to write anything specific about this picture, ’cause almost anything would be a spoiler to anybody who has managed to not have heard about this marvelous film. And I guess anybody who HAS seen it will have had their mind made up by now – loving or hating the shit out of it.
I just remember how I reeeeealllly loved it when I first saw it in the theatre because I didn’t know anything about it and loved the surprising experience oh so much (not unlike «From Dusk Till Dawn» just one year earlier).
Aaaand… I just lost interest in writing anything more about «The Devil’s Advocate» just watching Al Pacino in my most favourite movie of his (though many critics claim this movie was the beginning of the end of his career). Goodbye, thanks for reading…
One last thought: I’ve seen this movie time and time again, and even after more than twenty years, it still more than holds up – it’s a most entertaining, thought-provoking movie you really should consider to revisit or give it a chance to view the first time around if you have the chance.
Great – just great!
Note to self: Don’t publish this text! It’s not ready and not any good!
Note to yourself: Too late! Nobody will read it anyway. And the ones who will, they might appreciate the tip!
Note to self: But this article is really bad!
Me: I don’t care! We’ve come this far. I won’t let go all this work go to hell!
I: But I have a reputation to uphold!
Me: No, you don’t! Reputation implies readers, you don’t have those!
I: Fair enough!
Me: You sure?
I: Shouldn’t we at least make some effort to wrap it all up?
Me: Well, we could. But wouldn’t it be much less effort to just let it be as it is and call it intentional, maybe even clever?
I: Yeah, all right, but I won’t proofread it!
Me: No Prolemo! Didn’t matter the last time.
I: Ok. But this is the last time we do this.
I: Ok. All I want is people to watch «The Devil’s Advocate». Cause it’s really…
Me: Yeah, yeah, I know: One of our favourite movies that we almost forget it existed.
I: Yeah, exactly…
Me: Ok, Press «Publish» then?
I: Ok. But it’s really the last time we do this?
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Well I‘ll be damned if «Once upon a Time in… Hollywood» won‘t be triggering and offending a whole lot of people for a whole lot of reasons.
I doubt Tarantino would still be able to make his special kind of movies in today’s climate if he had been creating more output on a more regular basis.
His 10-picture-limit he put on himself seems to be the sensible choice to stay relevant and marketable as the cult-director he has become with his very first movie «Reservoir Dogs» in 1992. Good for him!
Still got to love this quirky, slightly odd movie buff and his «fan films» he managed to weave into cinematic gold.
As for myself, I was just slightly bored during the 160 minutes runtime.
But some outstanding scenes, the classy cinematography, the great art-direction and the wonderful cast make the ticket-price for «Once upon a Time in… Hollywood» still a worthwhile investment.
In hindsight, Tarantino might be one very late addition to the «New Hollywood» of the 1970ies, along with Scorsese, Nichols or Hopper. He might seem like a dinosaur today, but as far as Hollywood goes, his films sure as hell are more interesting, original and cinematic as let’s say the last couple of «Jurassic Park» movies.
Still wondering though if he’ll really be allowed to helm the next «Star Trek» movie in his tenth and (probably) final film and thus incorporate «Starfleet» into his own cinematic universe…
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