Roma


To be honest, I didn’t plan to out myself as a hater (again, after last year’s Academy Awards disaster that was «The Shape Of Water»), but with the Oscars warming up and 10 nominations for this year’s frontrunner, I feel forced to reveal my two cents about «Roma – The Watching of Paint Dry».

Full disclosure: I like color. I like it in paintings, comics, in magazines, on flowers, even on vegetables: I like broccoli or pickles, which are green. Peter Jackson even coloured World War I to make it more fun, for cryin’ out loud!

But I digress…

Netflix’ Oscar vehicle «Roma» is like Alfonso Cuarón’s earlier multiple Oscar-winner «Gravity» but not set in space. And with the difference that I found «Roma – The Emperor’s New Clothes» to be boring and that I didn’t like it. And it doesn’t even come in color. And as I mentioned earlier, I like color.

One could state that «Roma – The CCTV Experience» is like «Children of Men», another masterpiece by Alfonso Cuarón, but not set in the future. What sets it apart from «Children of Men» is that «Roma – Arthouse, Schmarthouse» doesn’t have a story. I like story; it’s high up on my list of priorities: I even live in a 26 story building.

I’d even go so fare to compare «Roma – They Might Be Your Memories, But Why Should I Care?» with Cuarón’s «Harry Potter And The Prisoner Of Azkaban», another great one that is entertaining and fully satisfying; unlike «Roma – Fast Forwarding Through The Second Half». I like to be entertained. And I like what I like.

In conclusion, 
I wished «Roma – I Already Miss The McRaclette» was more like «Y Tu Mamá También»: I’ve never watched it but I heard it’s great.

McRaclette – I’ll see you in another life when we are both fat.