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The wait is over! All my full movie reviews are now available in print:
Not the book you need. But the book you deserve!
Order your copy now! (Printed on demand)
Or get it in a Book shop of your chosing via ISBN: 978-3-7519-9952-6
About the Book
This defining movie guide and blog companion contains a plethora of equally passionate and subjective movie reviews published by the title-giving nerd on his blog rafenew.world between 2015 and 2020.
The second chapter gathers even more (German) pieces written for his former website nidwirkli.ch between 2003 and 2006. Some of the older texts may not have aged too well. But they bear not only witness to the coming of age of the author’s writing style, taste and character – they document two decades worth of evolution in cinema, pop-culture and society itself.
Each one of the more than 160 articles comes with its own QR Code, providing an interactive experience including free videos, graphics and even more digital content available on rafenew.world.
Being first and foremost a vanity project, this title delivers hours and hours of reading material, opinions, trivia, callbacks and, most important, fun for everyone lucky enough to have been a child in the eighties.
About the Author
Raphael Röthlin – designer and software engineer by trade, nerd at heart – was born and raised in a small Swiss farming village. Today he works and lives in the city, in a nice apartment – without a cat, but making the best of the situation.
Ordner now and enjoy!
So I guess this will be one of those articles:
I DID plan to review «It Chapter Two» but since it has become so cumbersome to catch a not dubbed movie in all its original glory in Lucerne, this will be – once again, after «Planet Terror» – one of those not-really-a-review-but-just-reminding-everybody-there-was-this-great-picture-apology-for-a-review.
This time around Taylor Hackford’s 1997 «The Devil’s Advocate» will be the proof that the nineties where anything but bland, mediocre or unqualified to make an impact in movie history whatsoever.
I will not be able to write anything specific about this picture, ’cause almost anything would be a spoiler to anybody who has managed to not have heard about this marvelous film. And I guess anybody who HAS seen it will have had their mind made up by now – loving or hating the shit out of it.
I just remember how I reeeeealllly loved it when I first saw it in the theatre because I didn’t know anything about it and loved the surprising experience oh so much (not unlike «From Dusk Till Dawn» just one year earlier).
Aaaand… I just lost interest in writing anything more about «The Devil’s Advocate» just watching Al Pacino in my most favourite movie of his (though many critics claim this movie was the beginning of the end of his career). Goodbye, thanks for reading…
One last thought: I’ve seen this movie time and time again, and even after more than twenty years, it still more than holds up – it’s a most entertaining, thought-provoking movie you really should consider to revisit or give it a chance to view the first time around if you have the chance.
Great – just great!
Note to self: Don’t publish this text! It’s not ready and not any good!
Note to yourself: Too late! Nobody will read it anyway. And the ones who will, they might appreciate the tip!
Note to self: But this article is really bad!
Me: I don’t care! We’ve come this far. I won’t let go all this work go to hell!
I: But I have a reputation to uphold!
Me: No, you don’t! Reputation implies readers, you don’t have those!
I: Fair enough!
Me: You sure?
I: Shouldn’t we at least make some effort to wrap it all up?
Me: Well, we could. But wouldn’t it be much less effort to just let it be as it is and call it intentional, maybe even clever?
I: Yeah, all right, but I won’t proofread it!
Me: No Prolemo! Didn’t matter the last time.
I: Ok. But this is the last time we do this.
I: Ok. All I want is people to watch «The Devil’s Advocate». Cause it’s really…
Me: Yeah, yeah, I know: One of our favourite movies that we almost forget it existed.
I: Yeah, exactly…
Me: Ok, Press «Publish» then?
I: Ok. But it’s really the last time we do this?
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Well I‘ll be damned if «Once upon a Time in… Hollywood» won‘t be triggering and offending a whole lot of people for a whole lot of reasons.
I doubt Tarantino would still be able to make his special kind of movies in today’s climate if he had been creating more output on a more regular basis.
His 10-picture-limit he put on himself seems to be the sensible choice to stay relevant and marketable as the cult-director he has become with his very first movie «Reservoir Dogs» in 1992. Good for him!
Still got to love this quirky, slightly odd movie buff and his «fan films» he managed to weave into cinematic gold.
As for myself, I was just slightly bored during the 160 minutes runtime.
But some outstanding scenes, the classy cinematography, the great art-direction and the wonderful cast make the ticket-price for «Once upon a Time in… Hollywood» still a worthwhile investment.
In hindsight, Tarantino might be one very late addition to the «New Hollywood» of the 1970ies, along with Scorsese, Nichols or Hopper. He might seem like a dinosaur today, but as far as Hollywood goes, his films sure as hell are more interesting, original and cinematic as let’s say the last couple of «Jurassic Park» movies.
Still wondering though if he’ll really be allowed to helm the next «Star Trek» movie in his tenth and (probably) final film and thus incorporate «Starfleet» into his own cinematic universe…
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DAMMIT! I’M SUCH A FOOL! I just realized: I WAS THE ONLY ONE AT THE SCREENING AND DIDN’T MAKE ANY «SOLO» JOKE at the concession stand! That might have been a better starter to a conversation in which I learnt that an almost empty theatre didn’t really matter nowadays (in some aspect) because movies are delivered digitally now and don’t wear with every projection.
Which wouldn’t make much of a difference because «Solo» isn’t any good to begin with.
Even beforehand, I had pretty much made up my mind about Alden Ehrenreich’s Han-thankful job and his more than Han-likely success in taking over Harrison Ford’s iconic role. Ehrenreich surely didn’t help but after seeing «Solo», he cannot be made solely responsible for this disappointment of a movie. I doubt even Mr. Ford (or Harrison, as I like to call him, though he’d rather I wouldn’t) himself could have made this Han-inspired, Han-funny wannabe Star Wars «adventure» work.
It’s too generic even for a franchise as formulaic as the Star Wars universe. I haven’t seen such an empty, self-serving and Han-motivated mess of jumbled together bits and pieces of canon and fan service in a long, long time. (Not unlike this very review you’re reading right now).
There were some nice ideas in there that I might have liked but they were presented in such a Han-connected way I couldn’t have bothered less.
And now a personal message to my co-worker Cello: Don’t go see that movie! I can’t tell you why because of spoilers. Just don’t!